Weight | 0.430 kg |
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Dimensions | 210 × 155 × 15 mm |
ISBN | 1-903110-03-3 |
Anne Bronte: A Biography
£50.00A prized historic edition of Gerin’s full-length biography of Anne Bronte’s life, lauded for its extensive research.
£11.95
This is the book that thoughtful readers of Charles Bukowski have been waiting for. Based on extensive research, it places Bukowski’s poetry in it’s American cultural context, and explores the key poems and collections in his development. It traces magazines, literary contacts and influences from the mid-1940’s to The Last Night of the Earth Poems (1992).
Want to know about Bukowski and the movies, the Beats, Hemingway, Céline and Walt Whitman? About how and why Bukowski formed his unique style and image? And about where he fits in to West Coast and post-War American verse? Scholarly but accessible, this is the essential book to have. Also contains drawings by David Hernandez, rare photographs of C.B., and a preface by Gerald Locklin. – The Editor
4 in stock
Weight | 0.430 kg |
---|---|
Dimensions | 210 × 155 × 15 mm |
ISBN | 1-903110-03-3 |
A prized historic edition of Gerin’s full-length biography of Anne Bronte’s life, lauded for its extensive research.
A complete look at the extensive, ageless, unparalleled filmography of Woody Allen.
Writer, actor, director, comedian, author, and musician, Woody Allen is one of the most culturally and cinematically influential filmmakers of all time. His films – he has over 45 writing and directing credits to his name – range from slapstick to tragedy, farce to fantasy. As one of history’s most prolific moviemakers, his style and comic sensibility have been imitated, but never replicated, by countless other filmmakers over the years. In The Ultimate Woody Allen Film Companion, film writer Jason Bailey profiles every one of Allen’s films: from his debut feature, What’s Up, Tiger Lily, through slapstick classics such as Take the Money and Run and Sleeper; Academy Award-winning films such as Annie Hall and Hannah and Her Sisters; and recent gems such as Midnight in Paris and Blue Jasmine.
Bailey also includes essays on the fascinating themes that color Allen’s works, from death and Freud to music and New York City. Getting up close and personal with the actors and actresses that have brought the iconic films to life, this book’s behind-the-scenes stories span the entire career of a man whose catalog has grown into a timeless cornerstone of American pop culture. Complete with full cast lists, production details, and full-color images and artwork, The Ultimate Woody Allen Film Companion is the ultimate, indispensable reference to one of cinema’s most beloved and important figures.
Translation as Transhumance is half-memoir, half-philosophical treatise musing on translation’s potential for humanist engagement. One of the great contemporary French translators, the author has lived her life as a risk-taker.
Going back to her childhood in post-war France, she reflects on her origins as a translator. Gansel’s travels took her to important places at seminal points of the 20th century, such as her encounters with banned German writers in 1960s East Berlin. During the Vietnam war, she went to Hanoi to work on an anthology of Vietnamese poetry.
The book offers a fascinating account of wartime danger, hospitality and human kinship as the city under bombardment. Gansel is brilliant at conveying the sense of exile and alienation that is the price paid for the privilege of not dwelling exclusively in the comforting home of the mother tongue, as she explores her relationship with French, which she has come to know very differently because of her activities as a translator. Her lyrical, delicate text offers a profound engagement with humanist values and a meditation on communication.
A historic edition:
Meet Monsieur Benoit, who appeared suddenly in Paris with a scheme for telegraphing messages across the world (or, at least, across the room) by means of electricity and the telepathic power of snails, and actually raised the money to build this extraordinary machine.
His powers of persuasion clearly exceeded those of Colonel Baker, who seemed the personification of Victorian solidity until that embarrassing incident in the sealed railway compartment, where he failed to entice Miss Dickinson to join in his bit of fun, and afterwards had to try and explain his conduct to the High Court, with the whole nation hanging on his every word.
Here is a fascinating collection of some of history’s most extraordinary characters. Richard Glyn Jones has cast his net wide to gather these accounts of human oddity and eccentricity, and the standard of his writing is high, with Lytton Strachey, Derek Hudson, Christopher Sykes and Ronald Knox among the authors included. Hilariously funny, sometimes rather sad, but invariably interesting, this is a superbly diverting book. And, with a couple of tiny exceptions, it’s all true.
As known for her fraught personal life as her chart-topping songs, Amy Winehouse who died at the age of 27 in July 2011 was one of the most compelling vocalists in the world. But despite this fact, it was her self-destructive excesses that made headlines. Drinking binges, self-harm, eating disorders, drug abuse, and a turbulent marriage overshadowed her music even as her record sales soared, and the media watched eagerly as Amy’s world imploded. This richly illustrated biography tells her story in full, from childhood through to the pleasures and pains of superstardom, her blazing talent, the years she lost to her addictions, the final days before her death, and the legacy of her raw and heartfelt music.
In his lifetime Gielgud was acclaimed as the finest classical actor of the twentieth century and Jonathan Croall’s biography from 2000 was instantly recognised by critics as a masterful achievement, one that was ‘unlikely to be surpassed’ (Sunday Telegraph). Since that time however a considerable amount of new material has come to light and the passing of time has allowed a new candour. John Gielgud: Matinee Idol to Movie Star sees this peerless biographer return to his subject to offer the definitive life of Gielgud.
For this new biography Croall’s exhaustive research has included over a hundred new interviews with key people from his life and career, several hundred letters from Gielgud that have never been published, scores of letters written to him and archived versions of his film and television work. As Gielgud worked increasingly in this medium during the last third of his life much greater attention is given to this than in the earlier work.
Fresh light is thrown on his professional relationships with figures such as Laurence Olivier and Edith Evans, and on turbulent episodes of his private life. The overall result is a a much more rounded, candid and richly textured portrait of this celebrated and complex actor.