In 2015, Inua Ellams was poet in residence at the Poetry Library at the Southbank Centre in London. His #Afterhours project took him on a voyage of cultural translation and transposition through time and place, to the heart of the libraries archive collections, and through his own life s story as he selected poems published during each year of his life, from birth to the age of 18.
In return, Ellams opens up a captivating and potent dialogue between poems, writing a diary and intricately-crafted poems of his own in conversational response to the poems he selected from the library collections. Here, for the first time together, are the collected #Afterhours poems alongside the re-discovered poems which inspired them and the diary entries which follow this journey. In Ellams meticulous hands, this becomes an entire narrative in its own right, compelling and magnetic, drawing parallels of displacement, language and reclamation, and showing poetry’s great capacity to be a powerful amplifier of human experience.
As a boy, Tony Fletcher frequently felt out of place. Yet somehow he secured a ringside seat for one of the most creative periods in British cultural history.
Boy About Town tells the story of the bestselling author’s formative years in the pre- and post-punk music scenes of London, counting down, from fifty to number one: attendance at seminal gigs and encounters with musical heroes; schoolboy projects that became national success stories; the style culture of punks, mods and skinheads and the tribal violence that enveloped them; life as a latchkey kid in a single-parent household; weekends on the football terraces in a quest for street credibility; and the teenage boy’s unending obsession with losing his virginity.
Featuring a vibrant cast of supporting characters (from school friends to rock stars), and built up from notebooks, diaries, interviews, letters, and issues of his now legendary fanzine Jamming!, Boy About Town is an evocative, bittersweet, amusing and wholly original account of growing up and coming of age in the glory days of the 1970s.
The tell-all memoir from the loudest, proudest Spice Girl – and the truth behind the headlines
As one-fifth of the iconic Spice Girls and judge on X Factor and America’s Got Talent, Melanie Brown, a.k.a Scary Spice, has been an international star since her twenties. Brutally Honest is an exposé of the struggles and acute pain that lay behind the glamour and success.With deep personal insight, remarkable frankness and trademark Yorkshire humour, the book removes the mask of fame and reveals the true story behind the Spice Girls, as well as the horror of her most recent marriage and her 10 year struggle to be free.
Celebrating the tastes, smells and colours of an island where the cooking is seasonal and the flowers play changes on the theme of year-round spring, this memoir is written in the rhythm of the five seasons of Corfu. It tells the stories of the house of Rovinia, built in the 1960s by Emma Tennant’s parents, of Maria, the spirit of the house and her knowledge and wisdom, and entwines recipes and original photographs with fond recollections in prose.
This is the first book written by a member of Dexys Midnight Runners from the period of their debut album Searching For the Young Soul Rebels. This book is the story of the making of that album and what it was like being a member of the band and working with the genius Kevin Rowland. Alongside Geoff Blythes and the authors narrative the book includes contributions from a selection of fans and people that were connected with the making of the album and the band at the time. The Team That Dreams in Caffs also includes photographs from Mike Layes collection. Mike was the bands official photographer between 1979 and 1980 and captured that iconic image that the band displayed of donkey jackets, wooly hats, brogues and carrying northern soul style holdalls. All the photographs are black and white, which adds to the atmosphere of the book. Searching For The Young Soul Rebels was the album that gave the world such songs as Geno and There There My Dear and put Dexys Midnight Runners on the map. The album is regarded as many as one of the greatest debut albums of all time and this book is an attempt to celebrate that fact. It’s a book that will resonate with a generation and appeal to those still searching for the young soul rebel in themselves.
Winner of the 2020 Wainwright Prize, Diary of a Young Naturalist chronicles the turning of Dara McAnulty’s world, from spring to summer, autumn to winter, on his home patch, at school, in the wild and in his head. Evocative, raw and beautifully written, this very special book vividly explores the natural world from the perspective of an autistic teenager juggling homework, exams and friendships alongside his life as a conservationist and environmental activist. With a sense of awe and wonder, Dara describes in meticulous detail encounters in his garden and the wild, with blackbirds, whooper swans, red kites, hen harriers, frogs, dandelions, skylarks, bats, cuckoo flowers, Irish hares and many more species. The power and warmth of his words also draw an affectionate and moving portrait of a close-knit family making their way in the world.
Pete Haynes was the drummer and founder of the cult punk band The Lurkers. Here, he charts their rise from playing in West London pubs and clubs to appearing on Top of the Pops. Then they came down with a crash. This tell-all insider’s look at the 70s punk scene mixes brutal humour with a sharp critique of the human condition from the point of view of a working class man. Haynes share his experience with The Sex Pistols, The Clash and many more classic bands and writes about what punk was really about.
Mike Love is a founding member, lyricist and vocalist of The Beach Boys, considered to be the most popular American band in history, with 13 Gold Albums, 55 top-100 singles, and four #1 hits. Love has been the lead singer of the group one of its principal lyricists since its inception in 1961.
In Good Vibrations, Mike Love tells the unique story of his legendary, chaotic, and ultimately triumphant five-decade tenure as the front man of The Beach Boys, from their Californian roots to international fame.
Mike Love’s credits include such pop classics as “Good Vibrations,” “California Girls,” “I Get Around,” “Fun Fun Fun,” and “Kokomo.”
In the Blood is Andrew Motion’s beautifully written memoir of growing up in post-war England – an unforgettable evocation of family life, school life and country life. It also tells the story of how these worlds are shattered, when his mother suffers a terrible riding accident.
The tragedy shadows the book, feeding its mood of elegy as well as its celebratory vigilance. Written from a teenage child’s point of view, without the benefit of adult hindsight, Motion captures the pathos and puzzlement of childhood with great clarity of expression and freshness of memory. We encounter a strange but beguiling extended family, a profound love of the natural world, a troubled schooling, and a growing passion for books and writing.
By turns funny and elegiac, In the Blood is a wonderful picture of a vanishing England, a remarkable insight into a poet’s mind, and a deeply moving portrait of the bond between a mother and her son.
Backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey’s music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock ‘n’ roll love affairs.
Morrison – a headstrong heroine blazing her way through a male-dominated industry – came to be a kind of mentor to Thorn. They shared the joy and the struggle of being women in a band, trying to outwit and face down a chauvinist music media. In My Rock ‘n’ Roll Friend Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other.
This important book asks what people see, who does the looking, and ultimately who writes women out of – and back into – history.
‘I’ve been on six-week tours of America and it breaks you open, but to do it straight off the bat, in the middle of winter, with three new girls… I was thinking, If we survive this, it’ll be a miracle… but it was the best time we’ve ever had.’
The first official book from Noel Gallagher, this is the behind-the-scenes story of his biggest ever solo tour and the making of the critically-acclaimed album Who Built The Moon?.
Join Noel Gallagher’s High Flying Birds as they embark on the Stranded On The Earth world tour – a phenomenal year-long journey around the globe, taking in dates across the USA, Canada, UK, Ireland, Europe and Southeast Asia.
With photography by Sharon Latham, who was granted unprecedented access, this fully illustrated book documents life on the road for one of the world’s most successful artists; featuring unseen images and candid interviews with Noel and the band.
How can we narrate grief? Can we really rationalise death? Pain cannot be told in the present, only in the past; however, Mella chooses to narrate it in the future, as if everything bad is about to happen further down the line, until something reminds him that the future actually arrived a long time ago.
During the summer of 2014, on one of the stormiest days on record to hit the coast of Uruguay, 31-year old Alejandro, lifeguard and younger brother of our protagonist, dies after being hit by lightning. Combining memoir and fiction, this novel is the urgent exploration of the brotherly bond, and the effects that death has on our inner circles. An exploration that takes the author back into his past, and right into the centre of his obsessions.
‘If I can t be free in my writing, I cannot be free anywhere else’, admits the narrator towards the end of this fascinating book that interweaves fiction with brotherhood and grief at the centre of family relations.
Richard Hammond is one of our most in-demand and best-loved television presenters. On September 20, 2006, he suffered a serious brain injury following a high-speed car crash, and the nation held its breath. On the Edge is his compelling account of life before and after the accident and an honest description of his year of recovery, full of drama and incident. It is also, perhaps, his explanation of why, as a married man and father of two young daughters, he was prepared to risk all by strapping himself to the front of a jet engine with the power of eleven Formula One cars.
How would you like a six-figure marketing job at the hallowed record label that signed everyone who counts in the last fifty years of pop music? Before you answer, we’ll throw in a plush office, a hip assistant and a bottomless expense account.
When Dan Kennedy is hired by a major label he thinks he has been handed a pass to the secret kingdom of rock and roll. In reality, he has walked into an episode of The Office. Whether directing a gangsta rapper’s video or battling his better judgement to create a campaign celebrating twenty-five years of Phil Collins’ love songs, he’s in way over his head. And from the looks of those around the boardroom, he’s not alone.
Cameos by aging pop stars, dinosaur music-biz kingpins, hip-hop thugs, Iggy Pop and others make up the cast of this brilliant power ballad to rock and roll, office life and all the wage slaves who’ve done their damndest to hide from Human Resources when the axe falls.
If you have ever bought a record, worked in an office, tried to get into a creative industry or suspected that some things are not all they’re cracked up to be, Rock On will make you laugh more than you thought possible.
Suggs is one of pop music’s most enduring and likeable figures. Written with the assured style and wit of a natural raconteur, this hugely entertaining and insightful autobiography takes you from his colourful early life on a North London council estate, through the heady early days of Punk and 2-Tone, to the eighties, where Madness became the biggest selling singles band of the decade. Along the way he tells you what it’s like to grow up in sixties Soho, go globetrotting with your best mates, to make a dead pigeon fly and cause an earthquake in Finsbury Park.
After becoming the first man to conquer the highest peak on each of the seven continents at the first attempt, Alistair’s hardest climb was surviving a brain haemorrhage. Foreword by Sir Chris Bonington. The book is fascinating and inspiring, and contains some stunning photographs from Dr. Sutcliffe’s climbing expeditions. His wife Clare also makes personal contributions at the end of each chapter.
In his own words, the extraordinary childhood of one of the most influential writers of the twentieth century.
Robert Westall grew up on Tyneside during the 1930s and 40s, the only child of remarkable parents and grandparents. He was ten when the war broke out and the terror – and excitement – of the air raids influenced his outlook ever after.
Over three decades and through two world wars, in the deserts of Libya and the woodlands of Italy, in the chalk downs of Kent, Sussex and Hampshire, he searched continually for his most beloved and elusive Orchis militaris, the military orchid. Jocelyn Brooke blends memoir, botany and satire to recall this lifelong quest.
A woman stands at the edge of a cliff, looking out to sea and the horizon. Dancers welcome the sun in a circle of stones. A dowsing road turns without warning. A church bell. Footsteps.
Old Weird Albion is America writer Justin Hopper’s dark love song to the English South; a poetic essay interrogating the high, haunted landscape of the South Downs Way; the memories, myths and forgotten histories from Winchester to Beachy Head.
When someone disappears, when someone leaps from a cliff and is all-but-erased from memory, what traces might we find in the crumbling chalk of the cliff face; in the wind that buffets the edge of this Albion?
A skewed alternative to Bill Bryson, Hopper casts himself as the outsider as he wanders the English countryside in pursuit of mystical encounters. His journey sees him joining New Age eccentrics and accidental visionaries on the hunt for crop circles and druidic stones, discussing the power of nature with ecotherapists and pagans, tracing the ruins of abandoned settlements and walking the streets of eerie suburbs.
Yearning for a life at sea from the age of 13, the author couldn’t wait to leave home and join the British Merchant Navy. But to do that was harder than he’d thought.
Profound dyslexia (undiagnosed in the 1960s) offered him little prospect of getting qualifications and in 1968 he left school at 15, just after his parents’ marriage had broken up. But perseverance in hardship, plus a chance meeting on a train, launched him on a round-the-world odyssey, sailing on many different ships out of the Royal Docks, London.
It was a real education – in more ways than you’d ever imagine.
Azar Nafisi, author of the international bestseller “Reading Lolita in Tehran”, now gives us a stunning personal story of growing up in Iran, memories of her life lived in thrall to a powerful and complex mother, against the background of a country’s political revolution. A girl’s pain over family secrets; a young woman’s discovery of the power of sensuality in literature; the price a family pays for freedom in a country beset by political upheaval – these and other threads are woven together in this beautiful memoir.
Nafisi’s intelligent and complicated mother, disappointed in her dreams of leading an important and romantic life, created mesmerising fictions about herself, her family, and her past. But her daughter soon learned that these narratives of triumph hid as much as they revealed. Nafisi’s father escaped into narratives of another kind, enchanting his children with classic tales like the “Shahnameh”, the “Persian Book of Kings”. When her father began to see other women, young Azar began to keep his secrets from her mother. Nafisi’s complicity in these childhood dramas ultimately led her to resist remaining silent about other personal – as well as political, cultural, and social – injustices.
What lunacy would cause a 55-year-old white male, neither lean nor hungry, to embroil himself in the world of New Orleans rap, not merely as an observer, but as an active participant – ideas man, talent-spotter, lyricist, and would-be producer? And why did his experience, after many tribulations, end up so profoundly joyous and fulfilling?
Nik Cohn has loved (and hated) hip-hop since its birth, thirty years ago, and loved (and hated) New Orleans for even longer. The city has haunted him from childhood, an addiction he’s never wanted to kick. But nothing prepared him for the experience of being pitched, more or less by accident, into the role of Triksta, rap impressario.
A white alien in a black world, with no funding or qualifications, and not a clue what he was doing, he had to rethink himself from scratch.Surrounded by a cast-list that included such names as Choppa and Soulja Slim, Big Ramp and Lil T, Bass Heavy, Fifth Ward Weebie, and Shorty Brown Hustle, he entered a world of tiny backstreet studios, broken-down slums and gun turfs, almost unimaginable to those who know New Orleans only as the touristic Big Easy.
Triksta is the story of a three-year odyssey that became all-consuming – a journey to the heart of rap, and New Orleans, and self-knowledge. Hilarious, tragic, startling, and exhilirating, sometimes all at once, it is Nik Cohn’s greatest book.