Organ donation is in its infancy and Daisy Howard, who is giving a kidney to her aunt, is in the hands of a pioneering surgeon. After the operation, Daisy is desperate to get back to her family, yet the days go by and she remains in the hospital; meanwhile, an old friend keeps visiting with news of home, and Daisy becomes increasingly uneasy.
t’s a quiet house, sheltered, standing in a mass of tangled old trees called the Holtwood. Raymond watches it. He’s been watching it, through a gap in the fence at the bottom of the garden, for weeks. Thinking about the elderly owners, Mr and Mrs Latch, who took him in one night when he was a frightened boy caught up in an emergency. Mr Latch showed him something that was kept in a wardrobe in the spare room. He can’t remember what it was. He only knows how sick it made him feel. Raymond watches Holt House. He has to remember what he saw. He has to get inside.
London, early-1970s. In a city plagued by football violence, Republican bombings, blackouts and virulent racism, a new urban myth is taking hold. Among the broken down estates, crumbling squats and failed projects of a dying metropolis, whispered sightings of a malevolent figure nicknamed the Judderman are spreading. A manifestation of the sick psyche of a city, or something else?
In the woods the earth made myths. Angry myths. Savage myths. Myths that could kill…
Set on the outskirts of Bradford over the course of a single day, Killing The Horses follows Ryan and Liam, teenagers skiving off school in the woods at the edge of the city. But the woods hold secrets. Dark secrets. And the landscape aches with the violence of all that has been done there.
There is blood on the ground and a sickness in the earth. As the memory of what has happened there climbs back out of the hillside, the boys learn that they are too entangled in the savagery of the land around them to be able to separate themselves from it.
Killing The Horses is rooted in the landscape and dialect of West Yorkshire and fuses realism with the mythical. It brings the macabre and darkly-religious world of the American Southern Gothic to the north of England.
Is your father a member of a satanic order? And would your own mother conspire to have you silenced in order to keep the secret?
When an unsuspecting care worker stumbles across a plan to abduct a young girl from a children’s home, intuition is ignored, the consequences high.
Hidden behind the establishment’s polished façade exists a cult. Paedophilia and ritual sacrifice, life-giving blood in exchange for power and wealth are rife.
Below Europe’s surface, a labyrinth is discovered. The Atanii, half human half animal, dwell within its realm – the gods worshiped by the elite, the hidden force that has manipulated the world above for thousands of years.
Set in three European countries, five lives collide and become tangled in a web of mysterious intrigue. A dark but humorous tale of missing children, reincarnation and mind control.
Two women connected by the notorious Gosforth Massacre of 1917, a murder case famous among true-crime fans and internet sleuths, strike up an email conversation and begin an uneasy investigation into their mutual ancestor Hattie Soak, a silent film star who ﬂed the scene of the crime.
The Night Visitors explores ghosts, obsession and inherited evil. In this novella, the technology that connects us becomes the conduit of un-expiated evil in a story told entirely via an exchange of emails.