£9.00
During the Yule season of 1153 Malcolm mac Alasdair is sent to serve the half-Scottish, half-Viking Earl of Orkney, who is on a quest to regain his earldom from a treacherous cousin. Malcolm is an artistic boy with no knack for warfare, he is certain that he will only hinder the young earl – and get himself killed in the bargain. His father’s reason for sending him out on this adventure does nothing to allay his fears: in a vision he has seen Malcolm go to Orkney with Earl Harald. But this vision is incomplete – he hasn’t seen Malcolm return…
2 in stock
| Weight | 0.571 kg |
|---|---|
| Dimensions | 213 × 148 × 40 mm |
| ISBN | 9781897476628 |
| Cover | Hardback |
| Publication Year | 2011 |
| Publisher | Be Read |
Cora has everything a woman is supposed to want – a career, a caring husband, children, and a stylish home. Desperate for release and burdened with guilt she falls into a pattern of ever increasing violence and sexual degradation till a one night stand tips her over the edge and she finds herself in a Dominatrix’s dungeon. Wounding explores a woman’s search for redemption, identity and truth.
Gabriela Babnik’s novel Dry Season breaks the mould of what we usually expect from a writer from a small, Central European nation. With a global perspective, Babnik takes on the themes of racism, the role of women in modern society and the loneliness of the human condition. Dry Season is a record of an unusual love affair. Anna is a 62-year-old designer from Slovenia and Ismael is a 27-year-old from Burkina Faso who was brought up on the street, where he was often the victim of abuse. What unites them is the loneliness of their bodies, a tragic childhood and the dry hamartan season, during which neither nature nor love is able to flourish. She soon realizes that the emptiness between them is not really caused by their skin colour and age difference, but predominantly by her belonging to the Western culture in which she has lost or abandoned all the preordained roles of daughter, wife and mother. Sex does not outstrip the loneliness and repressed secrets from the past surface into a world she sees as much crueller and, at the same time, more innocent than her own. Cleverly written as an alternating narrative of both sides in the relationship, the novel is interlaced with magic realism.
Is your father a member of a satanic order? And would your own mother conspire to have you silenced in order to keep the secret?
When an unsuspecting care worker stumbles across a plan to abduct a young girl from a children’s home, intuition is ignored, the consequences high.
Hidden behind the establishment’s polished façade exists a cult. Paedophilia and ritual sacrifice, life-giving blood in exchange for power and wealth are rife.
Below Europe’s surface, a labyrinth is discovered. The Atanii, half human half animal, dwell within its realm – the gods worshiped by the elite, the hidden force that has manipulated the world above for thousands of years.
Set in three European countries, five lives collide and become tangled in a web of mysterious intrigue. A dark but humorous tale of missing children, reincarnation and mind control.
Lupita and Genesis have just wasted a drug dealer, stolen his stash and hit the open road with a suitcase full of dirty money. Little do they know that their road trip will set them on a collision course with a side of America darker and weirder than any of them have ever known.
The City Always Wins is a remarkable novel from the psychological heart of a revolution. From the communal highs of pitched night battles against the police in Cairo to the solitary lows of defeated exile in New York, Omar Robert Hamilton’s debut is a unique immersion into one of the key chapters of the 21st century.
Bringing to life the 2011 Egyptian revolution, The City Always Wins conveys with extraordinary intensity all the stages of that place and that time through the lives of its two main characters Mariam and Khalil, ordinary young people caught up in an extraordinary moment.
Furthermore, The City Always Wins is a novel not just about Egypt’s revolution but about a global generation that tried to change the world.
Reminiscent of the writing of Jeet Thayil, Zia Haider Rahma and Nadeem Aslam, Hamilton’s prose is arrestingly visual, intensely lyrical and uncompromisingly political. A genuinely exciting new writer, he looks set to become a defining voice of his generation.
Mukesh Agarwal sits alone in the Black Eagle pub unaware that a riot is brewing or that Billy, his youngest son, is still out on his bike…. A mile away in the family home in Church Street, Anila, the youngest of the three Agarwal girls, is reading Smash Hits and listening to Radio One as she sprawls across the bottom bunk unaware of the tragic loss that is about to hit the family…. It is 1981, factories are closing, unemployment is high, the NF are marching and the neglected inner cities are ablaze as riots breakout across Thatcher’s fractured Britain. The Agarwals are facing their own personal nightmare but their pain is eased by family, friendships and a community that refuses to disappear. THE HANDSWORTH TIMES is abook about loss, friendship and working together because there is such a thing as society.
