£12.99
Jen Jones has written an expanded version of Welsh Quilts, her authoritative guide to the history and art of the quilt in Wales. Kaffe Fassett, the doyenne of textiles, provides a Foreword for this new edition, which also includes a greater number of images of quilt designs – some published for the first time – in a beautifully produced, detailed and generously illustrated book. By the 1970s the unique Welsh traditions of quilt and blanket making were almost extinct. Welsh Quilts is the result of Jen Jones’ researches into the subject and her desire to revive what had been a gloriously high quality craft. As she researched the book Jones also began collecting Welsh quilts, creating an extensive collection which is now housed in the Welsh Quilt Centre in Lampeter. New, high resolution images of the bold designs and intricate stitching of the quilts in her collection are included in the book. Welsh Quilts explores the origins of quilting and blanket making in Wales before considering its peak period between 1870 and the Second World War when wholecloth, frame-made quilts became the standard for which the country was famous. Welsh Quilts contains chapters on the origins and history of the quilt in Wales; Making a Quilt; Methods; Types of Quilt; Joining and Finishing; Provenance; Buying a Welsh Quilt; Caring for Quilts; Blankets; and Types of Blanket. The book also includes a list of public collections of quilts. Welsh Quilts is the essential book on the subject, whether you are a quilter yourself, or simply interested in quilting heritage.
Out of stock
| Weight | 0.200 kg |
|---|---|
| Dimensions | 230 × 160 × 6 mm |
| ISBN | 9781781723623 |
| Cover | Paperback |
| Publication Year | 2016 |
| Publisher | Seren |
1974. Teenage siblings Ellie and Colin are on holiday when they fall for the same girl. From this strange meeting onward, Ellie’s musical talent takes her to new heights, Colin finds his own fascination in photography, and both seem set for fulfilment – until catastrophe overtakes Ellie and changes the shape of the whole family.
Years later, brother and sister must battle to understand what has befallen them.
The Hail Mary pass is an American football term. It is used when a ball is thrown blind in the vague hope a receiver will make the catch and deliver a last minute victory.
‘Fiona Curran is a bright and fiesty northern voice. She treads the landscape of the urban and the domestic, from the smokey fug of the betting shop to the lavendar scent of the bathroom. I like Fiona’s poems because she writes about real people who truly exist and whose lives and wine-fuelled loves I can believe in. I just love this. “The Hail Mary Pass,” is spunky, sexy and brash. This is a belter of a debut and I very very much look forward to the next verse.’ – Wilton Carhoot; Editor of The Slab.
Winner of the 2018 Shine/Strong Poetry Award
This powerful debut collection takes us back to ‘the hatchling, nestling, fledgling grounds’ of Finglas where Rachael Hegarty was born and reared. Portrait of a working class community, portrait of a dispossessed and politically betrayed community, portrait of a self-reliant, proud, and supportive community — ultimately it is a portrait made with love and gratitude, to family, to neighbours, to friends of her youth, feral and otherwise, to teachers and to her own students, by a sophisticated and knacky literary artist of the highest integrity. This is a joyous and clear eyed book that draws on and augments the song tradition of an artistically rich area of north Dublin, a lyric tradition that encompasses Bono and Dermot Bolger; it opens that tradition to the critique and edge of contemporary poetry practice, and to the winds of Japan, Boston, Walden Pond, Emily Dickinson’s Garden. Compassionate to the living and to the dead alike, this poet stakes her ground, as mother, as lover, as artist, as link in the eternal and marvellous chain of being. – Paula Meehan
Winner of the Costa Poetry Prize 2014
Shortlisted for the Fenton Aldeburgh First Collection Prize 2014.
My Family and Other Superheroes introduces a vibrant and unique new voice from Wales. The superheroes in question are a motley crew. Evel Knievel, Sophia Loren, Ian Rush, Marty McFly, a bicycling nun and a recalcitrant hippo – all leap from these pages and jostle for position, alongside valleys mams, dads and bamps, described with great warmth. Other poems focus on the crammed terraces and abandoned high streets where a working-class and Welsh nationalist politics is hammered out. This is a post-industrial valleys upbringing re-imagined through the prism of pop culture and surrealism. If the author’s subjects have something in common with RS Thomas, or even Terry Street-era Douglas Dunn, his technique and approach owe at least as much to contemporary American poets like James Tate and David Wojahn.
Presenting some of the most noteworthy pieces from a remarkably influential West Indian poet, this anthology sheds light on the lesser-known literary accomplishments of Una Marson. Revealing the work of a woman whose writing pioneered the articulation of gender and racial oppression, brought Jamaican vernacular voices alongside a Wordsworth-inspired passion for nature, and ventured to give subjectivity to marginalized subjects, this collection includes, in addition to her well-known poems, previously unpublished work from the 1930s through the 1950s. Striving to answer the question of how one writes as a modern black woman reaching out to the poor and powerless, this extensive selection embodies an exceptionally significant poetic achievement.
Mark Granier is a meditative observer, offering us moments of suffused, painterly stillness. In his work there is no undue clamour to be heard, no flashy flailing about in order to be noticed. This might seem to be diffidence, but I perceive it as integritas. He is resolutely detached, has wit, is visually acute, verbally precise, finely tuned and formally in control. Yet you can feel his keen mind at work. – Liam Ó Muirthile
