Ways of Life: On Places, Painters and Poets

The period covered by this richly detailed collection, which brings the poet to the age of forty, T.S. Eliot was to set a new course for his life and work. Forsaking the Unitarianism of his American forebears, he was received into the Church of England and naturalised as a British citizen – a radical and public alteration of the intellectual and spiritual direction of his career.

The demands of Eliot’s professional life as writer and editor became more complex and exacting during these years. The celebrated but financially-pressed periodical he had been editing since 1922 – The Criterion – switched between being a quarterly and a monthly, before being rescued by the fledgling house of Faber & Gwyer. In addition to writing numerous essays and editorials, lectures, reviews, introductions and prefaces, his letters show Eliot involving himself wholeheartedly in the business of his new career as a publisher. His Ariel poems, Journey of the Magi (1927) and A Song for Simeon (1928) established a new manner and vision for the poet of The Waste Land and ‘The Hollow Men’. These are also the years in which Eliot published two sections of an exhilaratingly funny, savage, jazz-influenced play-in-verse – ‘Fragment of a Prologue’ and ‘Fragment of an Agon’ – which were subsequently brought together as Sweeney Agonistes. In addition, he struggled to translate the remarkable work Anabase, by St.-John Perse, which was to be a signal influence upon his own later poetry.

This correspondence with friends and mentors vividly documents all the stages of Eliot’s personal and artistic transformation during these crucial years, the continuing anxieties of his private life, and the forging of his public reputation.

“Gripping and at times ineffably sad, this book would be poetic even without the poetry. It will be the standard biography of Hughes for a long time to come” -Sunday Times

“Captures the great poet in all his wild complexity. Powerful and clarifying, richly layered and compelling” -Melvyn Bragg, Observer

Ted Hughes, Poet Laureate, was one of the greatest writers of the twentieth century. He is one of Britain s most important poets, a poet of claws and cages: Jaguar, Hawk and Crow. Event and animal are turned to myth in his work. Yet he is also a poet of deep tenderness, of restorative memory steeped in the English literary tradition. A poet of motion and force, of rivers, light and redemption, of beasts in brooding landscapes.

Ted Hughes left behind him a more complete archive of notes and journals than any other major poet, including thousands of pages of drafts, unpublished poems and memorandum books that make up an almost complete record of Hughes s inner life, preserved by him for posterity.

Renowned scholar Sir Jonathan Bate has spent five years in his archives, unearthing a wealth of new material. Shortlisted for the Samuel Johnson Prize, his book offers for the first time the full story of Ted Hughes’s life as it was lived, remembered and reshaped in his art. It is a book that honours, though not uncritically, Ted Hughes s poetry and the art of life-writing, approached by his biographer with an honesty answerable to Hughes s own.