|Dimensions||199 × 129 × 21 mm|
This is How it Ends
LONGLISTED FOR THE THEAKSTON OLD PECULIER CRIME NOVEL OF THE YEAR
Sunday Times Crime Book of the Month
The Times Crime Book of the Month
Mail on Sunday Thriller of the Week
‘Elegantly crafted, humane and thought-provoking. She’s top drawer’ Ian Rankin
This is how it begins. With a near-empty building, the inhabitants forced out of their homes by property developers. With two women: idealistic, impassioned blogger Ella and seasoned campaigner, Molly. With a body hidden in a lift shaft. But how will it end?
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Television’s most popular car show presenter lives his life in the shadow of his career and his persona. He has the perfect job. He doesn’t have the perfect family. His wife retches in the bathrooms of exclusive restaurants; his daughter’s obsession with a friend is consuming her; his son lives a double life selling pornography by day and gaming on-line by night. The presenter views his family from the outside and watches as they slowly disintegrate in front of him, unable to control anything that is not scripted. Socrates Adams perfectly mirrors what magazines sell to their readers in a bleak, satirical look at what modern families might think they want to be.
A young man is found lying unconscious on the outskirts of Bucharest. No one knows who he is and everyone has a different theory about how he got there. Within the pages of this charming book, the stories of a variety of characters unfold, each closely interwoven with the next, and outlining the features of what ultimately turns out to be the most important and most powerful character of all: the city of Bucharest itself. The plot of Life Begins on Friday takes place during the last 13 days of 1897 and culminates in a beautiful tableau of the future as imagined by the characters we have come to know and love. We might even say that it is we who inhabit their future, and so too does Dan Creţu, alias Dan Kretzu, the present-day journalist hurled back in time by some mysterious process for just long enough to allow us a wonderful glimpse into a remote, almost forgotten world. Parvulescus’ book is a magical tale full of enchanting characters who can carry the reader to another time
This is a book that lives in two parts – one set in the Ottoman empire of the 16th century, and the other in our own 21st century reality. Here we have the story of two friends, both taken as children from their homes and inducted into the Turkish Sultan’s private guard: Sokollu Mehmed Pasha, the Serbian shepherd boy who rose to the position of Grand Vizier and Koca Mimar Sinan, the ‘Michelangelo of the East’. Between them they represent both destruction and creation, while at the same time providing us with a harrowing insight into the heart of religion and identity. Back in our own time, we hear the voice of the author, sharing with us his experiences in the modern world, and his musings on faith, identity and nation. This is a truly ambitious book that rewards the reader with insights into some of the great questions of our time.
My Father’s Dreams: A Tale of Innocence Abused, is a controversial and shocking novel by Slovenia’s bestselling author Evald Flisar, and is regarded by many critics as his best. The book tells the story of fourteen-year-old Adam, the only son of a village doctor and his rather estranged wife, living in apparent rural harmony. But this is a topsy-turvy world of illusions and hopes, in which the author plays with the function of dreaming and story-telling. The story reveals an insidious deception, in which the unsuspecting son and his mother are the apparent victims; and yet who can tell whether the gruesome ending is reality or just another dream…. ‘My Father’s Dreams’ can be read as an off-beat crime story, a psychological horror tale, a dream-like morality fable, or as a dark and ironic account of one man’s belief that his personality and his actions are two different things. It can also be read as a story about a boy who has been robbed of his childhood in the cruelest way. It is a book which has the force of myth: revealing the fundamentals without drawing any particular attention to them. It tells a story about good and evil, and our inclination to be drawn to the latter.