|Dimensions||216 × 136 × 24 mm|
The Sea on Fire
When they were young men, Kim and his best friend, Garland Rain, travelled the world. They worked as dive guides, living free and easy by the sea. Garland is still out there, but Kim’s life is different now. He’s married and a father of three.
Still longing for the freedom of the water, Kim agrees to help Garland run a one-time trip to the spectacular Brothers Islands in the Red Sea. What neither man expects is just how badly wrong it will go. Drugs and violence collide, and not everyone returns safely.
Back on dry land, Kim finds that the decisions you make in the moment can come back to haunt you, even follow you home.
2 in stock
Television’s most popular car show presenter lives his life in the shadow of his career and his persona. He has the perfect job. He doesn’t have the perfect family. His wife retches in the bathrooms of exclusive restaurants; his daughter’s obsession with a friend is consuming her; his son lives a double life selling pornography by day and gaming on-line by night. The presenter views his family from the outside and watches as they slowly disintegrate in front of him, unable to control anything that is not scripted. Socrates Adams perfectly mirrors what magazines sell to their readers in a bleak, satirical look at what modern families might think they want to be.
When award-winning journalist Marcus Murray’s latest story involves a corrupt alliance between a UK bank, the arms trade and the government, it seems he has triumphed again in his quest for the truth. But he is accused of fabrication and nothing in his life makes sense any more, including the disappearance twenty years ago of his best friend, Melanie. Why did she vanish, and who is the body recently discovered in a Kent orchard? A timeless story of how love and enduring friendship shape who we are, the novel exposes the fault lines in our own reality and who and what we believe to be true, including ourselves.
Long Listed for The Asian Man Literature Prize when published in India as THE LAST PRETENCE. When Malika loses her longed-for daughter at birth, it is not the only loss in the family: the surviving twin -a boy – loses the love of his mother. He grows up needing to be the daughter his mother wants, the son his scientist father accepts, and more, with the guilt of being the one who survived. In a recently independent India, haunted by its colonial past and striving to find its identity, he struggles to find his own self. Sarayu Srivatsa has created a moving family portrait, richly-coloured by the vibrant culture and landscape of India, where history, religion and gender collide in a family scarred by the past and struggling with the future.
Gabriela Babnik’s novel Dry Season breaks the mould of what we usually expect from a writer from a small, Central European nation. With a global perspective, Babnik takes on the themes of racism, the role of women in modern society and the loneliness of the human condition. Dry Season is a record of an unusual love affair. Anna is a 62-year-old designer from Slovenia and Ismael is a 27-year-old from Burkina Faso who was brought up on the street, where he was often the victim of abuse. What unites them is the loneliness of their bodies, a tragic childhood and the dry hamartan season, during which neither nature nor love is able to flourish. She soon realizes that the emptiness between them is not really caused by their skin colour and age difference, but predominantly by her belonging to the Western culture in which she has lost or abandoned all the preordained roles of daughter, wife and mother. Sex does not outstrip the loneliness and repressed secrets from the past surface into a world she sees as much crueller and, at the same time, more innocent than her own. Cleverly written as an alternating narrative of both sides in the relationship, the novel is interlaced with magic realism.