“Well, well,” said the Rocking Chair
£20.00Songbook of Dean Friedman’s classic 1978 album, “Well, Well,” Said the Rocking Chair. Includes chart hits, Lydia, Lucky Stars, Rocking Chair and more.
£13.99
A pocket-sized collection of Tom Waits songs, in chord songbook format, with complete lyrics and guitar chords diagrams. 84 songs include: Alice * Chocolate Jesus * Downtown Train * Hold On * I Wish I Was in New Orleans * Jersey Girl * Long Way Home * Martha * The Piano Has Been Drinking (Not Me) * Soldier’s Things * Warm Beer and Cold Women * and more.
Songbook of Dean Friedman’s classic 1978 album, “Well, Well,” Said the Rocking Chair. Includes chart hits, Lydia, Lucky Stars, Rocking Chair and more.
Metallica have sold in excess of 100 million albums and won seven Grammys. Their journey from scuzzy Los Angeles garages to the stages of the world’s biggest stadia has been an epic and often traumatic one, and one of the few truly great rock ‘n’ roll sagas.
No music writers have been afforded greater access to Metallica over the years than Paul Brannigan and Ian Winwood, two former editors of Kerrang. Having conducted hundreds of hours of interviews with the band, they have between them gained an unparalleled knowledge of the group’s history and an insiders’ view of how their story has developed: they have ridden in the band’s limos, flown on their private jet, joined them in the studio, been invited to the quartet’s ‘HQ’ outside San Francisco and shared beers and stories with them in venues across the globe. There are countless memorable stories about the band never before seen in print, tales of bed-hopping and drug-taking and car-crashes and fist-fights and back-stabbing that occur when you mix testosterone and adrenaline, alcohol and egomania, talent and raw ambition.
Perceptive, emotionally attached, and intellectually rigorous, Birth, School, Metallica, Death will be the essential and definitive story of this extraordinary band. Volume I takes us from the band’s inception through to the recording and eve of release of their seminal, self-titled, 1991 album.
As a boy, Tony Fletcher frequently felt out of place. Yet somehow he secured a ringside seat for one of the most creative periods in British cultural history.
Boy About Town tells the story of the bestselling author’s formative years in the pre- and post-punk music scenes of London, counting down, from fifty to number one: attendance at seminal gigs and encounters with musical heroes; schoolboy projects that became national success stories; the style culture of punks, mods and skinheads and the tribal violence that enveloped them; life as a latchkey kid in a single-parent household; weekends on the football terraces in a quest for street credibility; and the teenage boy’s unending obsession with losing his virginity.
Featuring a vibrant cast of supporting characters (from school friends to rock stars), and built up from notebooks, diaries, interviews, letters, and issues of his now legendary fanzine Jamming!, Boy About Town is an evocative, bittersweet, amusing and wholly original account of growing up and coming of age in the glory days of the 1970s.
‘Anchored in Love’ is an inside look into the life of June Carter Cash, through the eyes of her only child with Johnny Cash – John Carter Cash. With skillful prose, he reveals new information about the legendary woman through his tender memories and heartwarming stories.
A new edition as part of the Faber Greatest Hits – books that have taken writing about music in new and exciting directions for the twenty-first century.
In The Dark Stuff Nick Kent profiles twenty-two of the most gifted and self-destructive talents in rock history. From Brian Wilson to Syd Barrett, the Rolling Stones to Neil Young, Iggy Pop to Lou Reed, he offers intimate portraits that are unimaginable in the world of today’s market driven music business.
A woman in the audience once handed Elvis a crown saying, “You’re the King.” “No, honey,” Elvis replied. “There is only one king — Jesus Christ. I’m just a singer.” Gary Tillery presents a coherent view of Elvis’s thoughts through such anecdotes and other recorded facts.
We learn, for instance, that Elvis read thousands of books on religion; that his crisis over making bimbo movies like Girl Happy led him to writers such as Gurdjieff, Krishnamurti, and Helena Blavatsky; and that, while driving in Arizona, an epiphany he had inspired him to learn Hindu practice. Elvis came to believe that the Christ shines in everyone and that God wanted him to use his light to uplift people. And so he did. Elvis’s excesses were as legendary as his generosity, yet, despite his lethal reliance on drugs, he remained ever spiritually curious. When he died, he was reading “A Scientific Search for the Face of Jesus.” This intimate, objective portrait inspires new admiration for the flawed but exceptional man who said, “All I want is to know and experience God. I’m a searcher, that’s what I’m all about.”