£16.99
JULY INDIE BOOK OF THE MONTH
It’s Holy Week in the town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla is to play Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep.
Vivid, darkly funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, whom Angel isn’t speaking to; and Tio Tive, keeper of the family’s history. In the absorbing, realist tradition of Elizabeth Strout and Jonathan Franzen, Kirstin Valdez Quade brings to life the struggles of her characters to parent children they may not be equipped to save.
5 in stock
| Weight | 0.534 kg |
|---|---|
| Dimensions | 223 × 144 × 36 mm |
| ISBN | 9781788168373 |
| Cover | Hardback |
| Publication Year | 2021 |
| Publisher | Tuskar Rock |
Lupita and Genesis have just wasted a drug dealer, stolen his stash and hit the open road with a suitcase full of dirty money. Little do they know that their road trip will set them on a collision course with a side of America darker and weirder than any of them have ever known.
This is a book that lives in two parts – one set in the Ottoman empire of the 16th century, and the other in our own 21st century reality. Here we have the story of two friends, both taken as children from their homes and inducted into the Turkish Sultan’s private guard: Sokollu Mehmed Pasha, the Serbian shepherd boy who rose to the position of Grand Vizier and Koca Mimar Sinan, the ‘Michelangelo of the East’. Between them they represent both destruction and creation, while at the same time providing us with a harrowing insight into the heart of religion and identity. Back in our own time, we hear the voice of the author, sharing with us his experiences in the modern world, and his musings on faith, identity and nation. This is a truly ambitious book that rewards the reader with insights into some of the great questions of our time.
Stranger Than Kindness is a book about the fine line between madness and magic and was described by Jo Brand as “funny, poignant and compelling.”
Hull, 1998. Unemployed, single and broke. These chains are what eighteen-year-old Ginger is determined to break free from, away from his indifferent parents and toward the ever-elusive achievement of a girlfriend. Life is monotonous to the point of tears – until the chance acquisition of a gold ring unbalances Ginger’s whole world.
Suddenly Ginger finds himself caught up with violence and tinpot crime, betrayed by his best friend and escaping from local villains desperate to reclaim their property. An encounter with a middle class ‘daddy’s girl’, hitching a ride for a little excitement, holds promise – but when her own questionable past is thrown into the light, their situation worsens and the frying pan erupts into the fire. With their lives at risk, they must hatch a plan to turn the tables on their enemies and dare to play the criminals at their own game. A hilarious tale of kidnapping, bad sex and self-discovery.
Long Listed for The Asian Man Literature Prize when published in India as THE LAST PRETENCE. When Malika loses her longed-for daughter at birth, it is not the only loss in the family: the surviving twin -a boy – loses the love of his mother. He grows up needing to be the daughter his mother wants, the son his scientist father accepts, and more, with the guilt of being the one who survived. In a recently independent India, haunted by its colonial past and striving to find its identity, he struggles to find his own self. Sarayu Srivatsa has created a moving family portrait, richly-coloured by the vibrant culture and landscape of India, where history, religion and gender collide in a family scarred by the past and struggling with the future.
Born into a Roma family in 1960s’ Yugoslavia, Janek Hudorovec has grown up with a terrible secret. Given the opportunity to ‘make something of himself’, he abandons the familiar wild and tactile world of nature and enters the controlled, rational life of university and the city. Here Janek proves himself to be not a conscious rebel but a spontaneous one; under the influences of impulses he cannot control. While his teachers try to understand and categorize him, it is only his fellow student, Daria, who seems able to provide a rational insight into the causes of his behaviour and offer him true affection. Yet the battle that Janek must fight with his past leads him back to the gypsy village, and a terrible denouement. This tragic story of self-punishment explores the idea that man and nature, if they are to survive, together and separately, must forever remain in conflict. Flisar’s ability to describe Janek’s inner states through juxtaposition with the outer world create a mesmerizing claustrophobia, as the reader is pulled inexorably into the nightmarish world of a man in anguish. A Swarm of Dust is widely considered to be one of Flisar’s finest works of fiction, questioning the very notion of objective truth and subverting the norms of Judeo-Christian morality.
