Weight | 1.002 kg |
---|---|
Dimensions | 254 × 195 × 33 mm |
ISBN | 9780500021927 |
Cover | Hardback |
Publication Year | 2019 |
Publisher | Thames & Hudson |
£24.95
Remarkable Trees
‘To discover so many intriguing things about trees from around the world is truly wonderful. This beautifully illustrated book reveals just how much these useful, fascinating, dangerous yet beautiful living beings really contribute to our lives’ – Dame Judi Dench
Trees are the treasures of the natural world and have long been special to us, not only for their beauty and character, but also because down the ages they have been central to human existence in numerous ways.
Out of stock
Related products
The Hail Mary Pass
£7.95The Hail Mary pass is an American football term. It is used when a ball is thrown blind in the vague hope a receiver will make the catch and deliver a last minute victory.
‘Fiona Curran is a bright and fiesty northern voice. She treads the landscape of the urban and the domestic, from the smokey fug of the betting shop to the lavendar scent of the bathroom. I like Fiona’s poems because she writes about real people who truly exist and whose lives and wine-fuelled loves I can believe in. I just love this. “The Hail Mary Pass,” is spunky, sexy and brash. This is a belter of a debut and I very very much look forward to the next verse.’ – Wilton Carhoot; Editor of The Slab.
She Wrote Her Own Eulogy
£10.00Shirley May’s She Wrote Her Own Eulogy takes the reader on a journey, the landscape of Kent and Manchester brought to vibrancy via Jamaica. It is a twisting road, the displaced lives making new communities on strange soil, the stories kept and told and shared. It is wisdom, it is memory, and it is future and hope.
The Sin-eater: A Breviary
£12.00The Sin-eater: A Breviary, Thomas Lynch’s fifth book of poems gathers together two dozen, twenty-four line poems – a book of hours – on the life and times of Argyle, the sin-eater and includes two dozen black and white photographic images by the author’s son, Michael Lynch, and a front cover watercolour by his son, Sean. The poems and images are situated on the West Clare peninsula in Ireland where the author keeps an ancestral home in the townland of Moveen between the North Atlantic and the River Shannon estuary. The poems are prefaced by an “Introit” which examines the nature of religious experience, faith and doubt, communion and atonement.
One Two II
£7.99Daring, funny, fierce and musical, Eva Salzman has in her new collection managed to combine a robust yet never unsubtle take on modern life and love. Addressing itself primarily to the muse and the blues, this ‘songbook’ is woven through with references to history and myth so that the personal is always balanced by an awareness of community to which she sings.
With two published collections to her credit and this remarkable recent compilation, Eva Salzman is one of the most accomplished poets working in Britain today. She is a New Yorker, but such is the universal catchment area of poetry now that her living and writing in Britain does not make her either an American or a British Poet, but simply a very good one.
The epigraph to the collection draws on St Thomas ‘When one becomes two what will you do?’ and this becomes the central metaphor of the book: twins, doubles, doppelgangers. For a short book with so light a touch there’s a tightness and surety to the way in which preoccupations are worked through. So that amidst the personal lamentation of ‘Remembering Before Forgetting’ and ‘After Verlaine’ are juxtaposed a poem on the Brooklyn Bridge, a poem about the Buddhas of Bamiyan, as well as a poem on the cutting of the OUP poetry list, the sharply satirical ‘In the OUP hospital’ where she writes ‘I’d rather be lying unpublished / than be published by you and be dead’. Refreshing, dangerous, ironic, always surprising, this is Salzman at her most Salzmannesque. – Poetry Book Society Special Commendation Spring 2003
Squaring the Circle
£12.00Philip Fried’s Squaring the Circle is humorous and yet also mysterious in its evocation of esoteric physics and theology. The title poem presents a mystic/scientific quest for an impossible geometry as both a vaudevillian historical catastrophe and a way of understanding God. Throughout, Fried uses pastiche and the mashup of texts to explore historical moments and personal history. Behind its many forms and approaches, however, the book conveys the strong sense of a “persona”—the feeling, as Stanley Kunitz once said, that the poet has imagined a person who could write these poems.