Weight | 0.306 kg |
---|---|
Dimensions | 199 × 130 × 25 mm |
ISBN | 9781472226471 |
Cover | Paperback |
Publication Year | 2017 |
Publisher | Headline Publishing Group |
£8.99
Quieter than Killing
‘Hilary is my drop-everything writer; always original, always bang-on psychologically, always gripping. I am a huge fan’ -Alex Marwood
‘Tremendous’ -Ian Rankin
It’s winter, the nights are dark and freezing, and a series of assaults is pulling DI Marnie Rome and DS Noah Jake out onto streets of London. When Marnie’s family home is ransacked, there are signs that the burglary can have only been committed by someone who knows her.
Someone out there is playing games. It is time for both Marnie and Noah to face the truth about the creeping, chilling reaches of a troubled upbringing.
1 in stock
Related products
The Harvest of Chronos
£10.99An epic, homourous and quite unique historical novel which looks at Central Europe in the 16th century – a territory plagued by ceaseless battles for supremacy between the Protestant political elite and the ruling Catholic Habsburg Monarchy, as well as the ongoing battle between the sexes. In Kumerdej’s wonderful saga, history and fiction intertwine in wavelike fashion, producing a colourful portrait of the Renaissance; permeated by humanist attempts to resurrect antiquity through art, new scientific findings, and spirited philosophical and theological debates.
If You Look For Me, I am Not Here
£8.99Long Listed for The Asian Man Literature Prize when published in India as THE LAST PRETENCE. When Malika loses her longed-for daughter at birth, it is not the only loss in the family: the surviving twin -a boy – loses the love of his mother. He grows up needing to be the daughter his mother wants, the son his scientist father accepts, and more, with the guilt of being the one who survived. In a recently independent India, haunted by its colonial past and striving to find its identity, he struggles to find his own self. Sarayu Srivatsa has created a moving family portrait, richly-coloured by the vibrant culture and landscape of India, where history, religion and gender collide in a family scarred by the past and struggling with the future.
J SS Bach
£14.00J SS Bach is the story of three generations of women from either side of Germany’s 20th Century horror story – one side, a Jewish family from Vienna, the other linked to a ranking Nazi official at Dachau concentration camp – who suffer the consequences of what men do.
Fast forward to 1990s California, and two survivors from the families meet. Rosa is a young Australian musicologist; Otto is a world-famous composer and cellist. Music and history link them. A novel of music, the Holocaust, love, and a dog.
Man With A Seagull On His Head
£8.99Under the intense summer sun on the Essex coast a gull falls from the sky and strikes an unassuming local council worker sitting on the beach below. From that moment on he is obsessed, a crazed visionary repeatedly depicting the scene and the unknown figure within it who filled his view at the moment of impact. The mysterious beauty of his creations draw others to him, but can they lay hold of that which possesses him? And what of his anonymous muse? MAN WITH A SEAGULL ON HIS HEAD is an insightful exploration of art, love and creativity. We follow Ray Eccles and his unlikely muse, their lives becoming intertwined with others as they advance on their bizarre journey through the London art scene. We meet Grace Zoob, an insecure heiress in search of meaning, validation and love; Amanda Parsons, an ambitious girl from the suburbs who suspects there’s more to life than marriage and children but finds herself consumed by both; and Grace’s daughter, Mira, a beautiful, damaged young woman. Five very different lives, linked by a common thread, for all have experienced the true and extraordinary beauty of life, bursting through the veil of daily existence, only to disappear again before it can be fully grasped.
Stranger than Kindness
£8.99Stranger Than Kindness is a book about the fine line between madness and magic and was described by Jo Brand as “funny, poignant and compelling.”