Courting Katie explores tenuous notions of what it means to be Irish. This is a collection about drunken nights, about cranes, outbound flights, and confirmation parties. Situated within a range of pre- and post-Celtic Tiger contexts, it examines social and cultural crises, both local and national. These poems engage with the experience of Ireland, not simply in a grandiose manner, but through the individual, and the many disappointments that have been suffered on this island.
“Elizabeth Barrett has a right to melancholy but does not claim it [her poems] are full of a controlled emotion which in lesser talents too easily tips into stale rhetoric or sentimentality. In Barrett there is honesty, never self-pity.”(prop)
“This poet reassures us of her ability – her quality – as a writer, the minute we begin to read. The language is natural and easy. We are listening to a friend confiding in us, enthralling us, over a cup of coffee. All our concerns, all our common, but individual experiences of contemporary living are mirrored here in these well wrought verse-tales. After reading these poems you will feel that you are Elizabeth Barrett’s most intimate friend. Not only is it the sureness of this poetry that convinces me that it is the work of a significant voice, but also its range… Humanity, intelligence and a perceptive honesty about herself and the world are her characteristics. And while the poems have a universality they are not a-sexual – they could only have been written by a woman, and go deep into the subjective and objective preoccupations of that sexual definition, but not predictably. Female readers of this book will understand; male readers will be informed and quite probably seduced.” – Kevin Bailey, HQ Magazine
Moniza Alvi’s new book is unified by birds. Her creations ‘Motherbird’ and ‘Fatherbird’ are inspired by her parents, and by the loss of her father and by his emigration from Pakistan. Among the many bird-related poems are versions of the French poets Jules Supervielle and Saint-John Perse, and poems ‘after’ the paintings of the Spanish-Mexican surrealist artist Remedios Varo. Blackbird, Bye Bye is Moniza Alvi’s first new poetry book since her T.S. Eliot Prize-shortlisted collection At the Time of Partition, published in 2013.
Cornrows and Cornfields is a heartfelt journey from the childhood fields of Indiana to the glittering metropolis of Chicago. Spinning together memory, popular culture and personal politics, celeste doaks makes words dance, weep, wail and sing – often in the space of just a couple of lines. This sublime collection of delightfully bold and vivid poems burn upon the mind’s eye long after the final page is turned.
From the moors of northern England to the cities of Western Europe, the poplars of the Thames to the sands of the Nevada desert, the poems in Kidland rise from ancient landscapes to confront a society in denial about its relationship with nature, memory and destiny. On barrows and mountains, in yellow fields and green woods, Kidland offers up a radical, uncompromising vision of broken connections and darkening futures. Images, dreams and prophecies, human and inhuman, dominate the pages of Paul Kingsnorth’s debut collection, finding their fullest expression in the narrative title poem, in which reason meets wildness among the dark pines of the north, and certainties are broken like empty promises.
Are we corrupt or innocent, fragmented or whole? Are responsibility and freedom irreconcilable? Do we value memory or succumb to our forgetfulness? Application for Release from the Dream, Tony Hoagland’s fifth collection of poems, pursues these questions with the fierce abandon of one who needs to know how a citizen of 21st-century America can stay human. With whiplash nerve and tender curiosity, Hoagland surveys the damage and finds the wonder that makes living worthwhile. Mirthful, fearless, and precise, these poems are full of judgment and mercy. Tony Hoagland’s poems poke and provoke at the same time as they entertain and delight. He is American poetry’s hilarious ‘high priest of irony’, a wisecracker and a risk-taker whose disarming humour, self-scathing and tenderness are all fuelled by an aggressive moral intelligence. He pushes the poem not just to its limits but over the edge.