Weight | 0.660 kg |
---|---|
Dimensions | 220 × 150 × 17 mm |
ISBN | 978-1-903110-59-1 |
£12.00
Exire
Exire is not a novel. It is not a collection of short stories. It is, instead, both of these things: stories that may stand alone whilst being inextricably tied together. It is Helen Mort’s first foray into the world of fiction beyond poetry.
Exire: Dystopian Britain, the year unspecified. A new website, Exire, offers those who feel disconnected from their lives one last act of choice, packaged as a bespoke service. In this unsettling collection, voices fade in and out, people connected by Exire’s troubling appeal. At the heart of it all is Lorna, a young musician who has made a painful decision. We hear her story in reverse.
17 in stock
Related products
J SS Bach
£14.00J SS Bach is the story of three generations of women from either side of Germany’s 20th Century horror story – one side, a Jewish family from Vienna, the other linked to a ranking Nazi official at Dachau concentration camp – who suffer the consequences of what men do.
Fast forward to 1990s California, and two survivors from the families meet. Rosa is a young Australian musicologist; Otto is a world-famous composer and cellist. Music and history link them. A novel of music, the Holocaust, love, and a dog.
Travels With Chinaski
£9.95Travels with Chinaski is the lonely lurch into lunacy, anarchy, the drunken fall into disassociation, the paralytic collapse into alienation – the utter, utter headlong, bar-storming leap into the liberation of madness. Chinaski: the freedom, the fuck death, to fuck your only friend’s girl, to fuck over rat-infested bed-sit-land, to fuck your kidneys, your liver, your numerous court appearances and then to fucking care about your beautiful beat-up neighbour as she cries in the night. Chinaski walks into your life, side-stepping last night’s cold sick on the floor, he kicks you out of bed, he’s back from the dead and he is going to make you dance, rage and drink with sheer life. Chinaski is there for you like a hangover that’s moved in to stay.
Madness Can Set You Free
“Daithidh MacEochaidh’s words are delightfully wordy, swimming in the deep end of the language baths… I’m rereading Kerouac for ‘The Big Read’, and it seems to me that MacEochaidh shares some of his linguistic exuberance. More power to him!” – Ian McMillan
“Prose as raw as a manhir, designed to skin your knuckles” – Dai Vaughan
The Hail Mary Pass
£7.95The Hail Mary pass is an American football term. It is used when a ball is thrown blind in the vague hope a receiver will make the catch and deliver a last minute victory.
‘Fiona Curran is a bright and fiesty northern voice. She treads the landscape of the urban and the domestic, from the smokey fug of the betting shop to the lavendar scent of the bathroom. I like Fiona’s poems because she writes about real people who truly exist and whose lives and wine-fuelled loves I can believe in. I just love this. “The Hail Mary Pass,” is spunky, sexy and brash. This is a belter of a debut and I very very much look forward to the next verse.’ – Wilton Carhoot; Editor of The Slab.
Cornrows & Cornfields
£8.95Cornrows and Cornfields is a heartfelt journey from the childhood fields of Indiana to the glittering metropolis of Chicago. Spinning together memory, popular culture and personal politics, celeste doaks makes words dance, weep, wail and sing – often in the space of just a couple of lines. This sublime collection of delightfully bold and vivid poems burn upon the mind’s eye long after the final page is turned.
Doing Time
£7.95“At the multi-laned intersection to the M20 I listened to Alanis singing her heart out about the pain of isolation and loss and I burst into tears in an Oxford Green Jaguar X Series 3 litre car.”
Like missiles, these poems shoot out into the world seeking light and warmth from out of the darkness of illness. Peter Carr’s poetic voice mirrors the fast-paced juxtopositions of a life previously spent in an internationalist world of commerce. Wide-ranging and uncompromising, ironic, darkly comedic and sometimes bitter, and populated by the unconventional, the displaced and the lonely, the collection is nevertheless bound together by the realisation and need of the importance of human encounter, companionship and love in an illusory and earth-shifting world. – Maggie Harris