Case Study

Under the intense summer sun on the Essex coast a gull falls from the sky and strikes an unassuming local council worker sitting on the beach below. From that moment on he is obsessed, a crazed visionary repeatedly depicting the scene and the unknown figure within it who filled his view at the moment of impact. The mysterious beauty of his creations draw others to him, but can they lay hold of that which possesses him? And what of his anonymous muse? MAN WITH A SEAGULL ON HIS HEAD is an insightful exploration of art, love and creativity. We follow Ray Eccles and his unlikely muse, their lives becoming intertwined with others as they advance on their bizarre journey through the London art scene. We meet Grace Zoob, an insecure heiress in search of meaning, validation and love; Amanda Parsons, an ambitious girl from the suburbs who suspects there’s more to life than marriage and children but finds herself consumed by both; and Grace’s daughter, Mira, a beautiful, damaged young woman. Five very different lives, linked by a common thread, for all have experienced the true and extraordinary beauty of life, bursting through the veil of daily existence, only to disappear again before it can be fully grasped.

Byron and the Beauty is loosely based on Byron’s biography and takes place during two weeks of October 1809, during his now famous sojourn in the Balkans. Besides being a great love story, this is also a novel about East and West, about Europe and the Balkans, about travel and friendship and cruelty. Bazdulj marvellously combines facts with imagination, history and romance, resulting in an exceptionally beautiful novel. The author’s style has something of the subtle lyricism and chronicle-like tranquillity of his countryman Ivo Andric, but also a touch of the oriental baroque richness associated with Orhan Pamuk, making this a book which is both erudite and innovative, with a daring sense of humour.

Television’s most popular car show presenter lives his life in the shadow of his career and his persona. He has the perfect job. He doesn’t have the perfect family. His wife retches in the bathrooms of exclusive restaurants; his daughter’s obsession with a friend is consuming her; his son lives a double life selling pornography by day and gaming on-line by night. The presenter views his family from the outside and watches as they slowly disintegrate in front of him, unable to control anything that is not scripted. Socrates Adams perfectly mirrors what magazines sell to their readers in a bleak, satirical look at what modern families might think they want to be.