£14.00
Through the story of one man, Caleb Bawcombe, a shepherd whose flocks graze the Wiltshire, Hampshire and Dorset borders, we meet men and women of humble birth, poachers, gypsies, farmers and labourers striving to survive on the land. As we read, the cumulative affect of their stories becomes much more than a record of rural life.
Out of stock
| Weight | 0.422 kg |
|---|---|
| Dimensions | 216 × 157 × 22 mm |
| ISBN | 9780956254573 |
| Cover | Paperback |
| Publication Year | 2010 |
| Publisher | Little Toller Books |
Eamonn Lynskey’s poems live on the edge of things – people’s ordinary lives as much as global concerns – and like all edges they can be razor-sharp. His is a voice unafraid to speak about political urgencies but also well sourced in everyday language and available form. A thought-provoking, unsettling collection of questions rather than answers.
Mark Granier is a meditative observer, offering us moments of suffused, painterly stillness. In his work there is no undue clamour to be heard, no flashy flailing about in order to be noticed. This might seem to be diffidence, but I perceive it as integritas. He is resolutely detached, has wit, is visually acute, verbally precise, finely tuned and formally in control. Yet you can feel his keen mind at work. – Liam Ó Muirthile
Exire is not a novel. It is not a collection of short stories. It is, instead, both of these things: stories that may stand alone whilst being inextricably tied together. It is Helen Mort’s first foray into the world of fiction beyond poetry.
Exire: Dystopian Britain, the year unspecified. A new website, Exire, offers those who feel disconnected from their lives one last act of choice, packaged as a bespoke service. In this unsettling collection, voices fade in and out, people connected by Exire’s troubling appeal. At the heart of it all is Lorna, a young musician who has made a painful decision. We hear her story in reverse.
The Hail Mary pass is an American football term. It is used when a ball is thrown blind in the vague hope a receiver will make the catch and deliver a last minute victory.
‘Fiona Curran is a bright and fiesty northern voice. She treads the landscape of the urban and the domestic, from the smokey fug of the betting shop to the lavendar scent of the bathroom. I like Fiona’s poems because she writes about real people who truly exist and whose lives and wine-fuelled loves I can believe in. I just love this. “The Hail Mary Pass,” is spunky, sexy and brash. This is a belter of a debut and I very very much look forward to the next verse.’ – Wilton Carhoot; Editor of The Slab.
Philip Fried’s Squaring the Circle is humorous and yet also mysterious in its evocation of esoteric physics and theology. The title poem presents a mystic/scientific quest for an impossible geometry as both a vaudevillian historical catastrophe and a way of understanding God. Throughout, Fried uses pastiche and the mashup of texts to explore historical moments and personal history. Behind its many forms and approaches, however, the book conveys the strong sense of a “persona”—the feeling, as Stanley Kunitz once said, that the poet has imagined a person who could write these poems.
Shirley May’s She Wrote Her Own Eulogy takes the reader on a journey, the landscape of Kent and Manchester brought to vibrancy via Jamaica. It is a twisting road, the displaced lives making new communities on strange soil, the stories kept and told and shared. It is wisdom, it is memory, and it is future and hope.
