£6.00
Snake in the Grass
“A terrific piece – brilliant, bizarre and yet totally believable… In fact, it’s more than classic; it’s close to the top of its class.” Yorkshire Post
If I Were You
“A blissfully funny comedy that’s also filled with sadness, a devilishly simple theatrical idea that spins out all kinds of complex truths about human nature.” Daily Telegraph
Life and Beth
“A wise, humane, funny play about the inevitability of death and the continuity of life.” Guardian
My Wonderful Day
“A transformation happens as magical as the most magnificent pantomime transformation anyone could ever imagine… the playwright dissolves the paraphernalia of our adult selves and uncovers that space inside each of us that is still the child we once were.” Observer
Life of Riley
“As perceptive as ever… Ayckbourn has once again achieved a satisfyingly rich, tragi-comic complexity.” Daily Telegraph
6 in stock
| Weight | 0.120 kg |
|---|---|
| Dimensions | 198 × 126 × 31 mm |
| ISBN | 9780571274628 |
| Cover | Paperback |
| Publication Year | 2011 |
| Publisher | Faber and Faber |
For Butterfly Boy – sitting alone in a Fiat 500 in the pouring rain – the reasons for joining a gay and inclusive rugby union team in a rugby league obsessed city didn’t seem that apparent. But once in the changing room a whole new world opens up.
Inspired by a true story Safer is a hard hitting, tender and funny exploration of the toxic side of team sports and how one new team decided to tackle it head on.
Three plays, ‘all written for live theatre – with the emphasis on live’, and all first performed at the Stephen Joseph Theatre, Scarborough: The Revengers’ Comedies (1989); Things We Do for Love (1997); and House & Garden (1999).
The Revengers’ Comedies
A hugely entertaining pitch that recalls the old movies to which it frequently pays homage – Strangers on a Train, Rebecca, Kind Hearts and Coronets – and expands after intermission to reveal an immensely disturbing vision of contemporary middle-class England poisoned by the rise of economic ruthlessness and the collapse of ethics. New York Times
Things We Do for Love
Lloyds Private Banking Playwright of the Year Award
One of his best, his most shockingly and uproariously funny: a cruel and hilarious masterpiece of tragic comedy and comic tragedy. Sunday Times
House & Garden
The triumph of his ingenuity lies in the fact that you have to see both plays . . . A second time round, in whichever order you take them, characters will deepen, while those you know become the background. It is a superb Ayckbourn joke that a comedy about non-communication should depend on the sharpest communication skills. Sunday Times
At the centre of this novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them to his Islamic faith.
Edward Bond Plays:9 brings together recent work by the writer of the classic stage plays Saved, Lear, The Pope’s Wedding, and Early Morning. The volume comprises five new plays and a comprehensive introduction by the author exploring theories of writing and theatre.
Innocence is the final play in The Paris Pentad, a dramatic epic stretching from the 1940s to the end of the twenty-first century. The conflicts at the heart of civilisation have erupted into violence, and the characters in Innocence must seek refuge in each other to escape the cruelty of war.
Window, Tune, Balancing Act and The Edge are plays commissioned by The Big Brum Theatre. With themes of drug use, violence, suicide, and mother-son relations, the plays focus on problems directly aimed at modern youth culture. Ideally suited to students, performers and particularly university showcases, they are short, interesting and powerful pieces.
This edition also includes some of Bond’s previously unpublished Theatre Poems.
Double Take tells how to rob Heathrow Airport and get away with it.
An ‘Italian Job’ for the 21st century, with swearing in several languages – some of it translated – chillis as offensive weapons, but no Minis. Double Take deconstructs one of Agatha Christie’s most audacious plots.
Thomas Cromwell. Son of a blacksmith, political genius, briber, charmer, bully. A man with a deadly expertise in manipulating people and events.
Mike Poulton’s ‘expertly adapted’ (Evening Standard) two-part ad adaptation of Hilary Mantel’s acclaimed novels Wolf Hall and Bring Up the Bodies is a ‘gripping piece of narrative theatre … history made manifest’ (Guardian). The plays were premiered to great acclaim by the Royal Shakespeare Company in Stratford-upon-Avon in 2013, before transferring to the Aldwych Theatre in London’s West End in May 2014.
