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The latest in IRON Press’s long running series of small haiku books, to accompany the reprint of the author’s previous IRON Press haiku collection, Our Sweet Little Time, which also covered a year of the poet’s life. This new collection ranges from the traditional to the experimental, combining striking imagery with philosophical reflection.

From politics to pop, from the UK to California, wherever digital heartbeats flutter and stutter, Ticker-tape is a maximalist take on 21st century living. From politics to pop, from the UK to California, wherever digital heartbeats flutter and stutter, Ticker-tape is a maximalist take on 21st century living. Rishi Dastidar’s first full collection showcases one of contemporary poetry’s most distinctive voices, delivering effervescence with equal servings of panache and whiplash-quick wit. Here is sheer madcap ingenuity and also impressive breadth; ranging from odes of love to deconstructed diversity campaigns and detonations of banter’s worst excesses, plus appearances from ex-SugaBabes, a shark who comes to tea, to the matters of matchstick empires and national identity. Ticker-tape is bold, adventuresome and wry – an unmissable and irrepressible debut.’s first full collection showcases one of contemporary poetry’s most distinctive voices, delivering effervescence with equal servings of panache and whiplash-quick wit. Here is sheer madcap ingenuity and also impressive breadth; ranging from odes of love to deconstructed diversity campaigns and detonations of banter’s worst excesses, plus appearances from ex-SugaBabes, a shark who comes to tea, to the matters of matchstick empires and national identity. Ticker-tape is bold, adventuresome and wry – an unmissable and irrepressible debut.

In Tutankhamun’s Trumpet, acclaimed Egyptologist Toby Wilkinson takes a unique approach to the boy king’s tomb and its contents. Instead of concentrating on on the oft-told story of the discovery, or speculating on the brief life and politically fractious reign of the boy king, Wilkinson takes the objects buried with him as the source material for a wide-ranging, detailed portrait of ancient Egypt – its geography, history, culture and legacy. One hundred artefacts from the tomb, arranged in ten thematic groups, are allowed to speak again – not only for themselves, but as witnesses of the civilization that created them. Never before have the treasures of Tutankhamun been analysed and presented for what they can tell us about ancient Egyptian culture, its development, its remarkable flourishing, and its lasting impact.

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From the beginning, the poet was a wanderer, a storyteller, an imaginer of bridges between worlds. Zaffar Kunial is just such a poet and guide for us today. Yet his territory extends much further afield than those of the past – through Kashmir, where his father was born and now lives, to the Midlands of his mother’s birth, and further north to ancestors in Orkney, as well as through language, memory and time. Already an acknowledged star of the Faber New Poets scheme, Kunial has won admirers in such measure as to ensure that Us is one of the most anticipated debuts in recent times. Across its pages, he vocalises what it means to be a human being planting your two feet upon the dizzying earth – and he does so delicately, urgently, intimately – in some of the most original and touching ways that you will read.