Are we corrupt or innocent, fragmented or whole? Are responsibility and freedom irreconcilable? Do we value memory or succumb to our forgetfulness? Application for Release from the Dream, Tony Hoagland’s fifth collection of poems, pursues these questions with the fierce abandon of one who needs to know how a citizen of 21st-century America can stay human. With whiplash nerve and tender curiosity, Hoagland surveys the damage and finds the wonder that makes living worthwhile. Mirthful, fearless, and precise, these poems are full of judgment and mercy. Tony Hoagland’s poems poke and provoke at the same time as they entertain and delight. He is American poetry’s hilarious ‘high priest of irony’, a wisecracker and a risk-taker whose disarming humour, self-scathing and tenderness are all fuelled by an aggressive moral intelligence. He pushes the poem not just to its limits but over the edge.
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“Elizabeth Barrett has a right to melancholy but does not claim it [her poems] are full of a controlled emotion which in lesser talents too easily tips into stale rhetoric or sentimentality. In Barrett there is honesty, never self-pity.”(prop)
“This poet reassures us of her ability – her quality – as a writer, the minute we begin to read. The language is natural and easy. We are listening to a friend confiding in us, enthralling us, over a cup of coffee. All our concerns, all our common, but individual experiences of contemporary living are mirrored here in these well wrought verse-tales. After reading these poems you will feel that you are Elizabeth Barrett’s most intimate friend. Not only is it the sureness of this poetry that convinces me that it is the work of a significant voice, but also its range… Humanity, intelligence and a perceptive honesty about herself and the world are her characteristics. And while the poems have a universality they are not a-sexual – they could only have been written by a woman, and go deep into the subjective and objective preoccupations of that sexual definition, but not predictably. Female readers of this book will understand; male readers will be informed and quite probably seduced.” – Kevin Bailey, HQ Magazine
“Is there a poet writing in Ireland who feels so profoundly and knows more surely love’s obsessions, its piercing chronicles, its succour and sorrows than Anne Fitzgerald? The poems in Vacant Possession char the page, leaving their imprint, imperishable, unique.” – Frank McGuinness
Milner Place: Born 25/1/30… First job timber faller before doing National Service 1948/50… Some time at Agricultural College but opted out… worked as barman… managed farm and estate… got involved in horse racin… 1953… sailed to South Africa… worked as undergound surveyor copper mines… managed fruit farm…1955 returned to England to manage another farm, left and entered journalism…1958… sailed to new York …1958/61… Bahamas, did some surveying work. Bought a dinghy and learned to sail. Then a sloop, freighting and fishing… skippered for Burl Ives… took over yacht in Miami… returned to England… left for Majorca…Dec 1961… smuggling run to Algiers during war, cargo one man… Supplemented income by smuggling money from England for Brit living abroad…1962… took over staysail schooner, working Balearics and wintered yacht in Ibiza…spent time in Bilboa and Madrid…Sailed to Italy, left Autumn 1963…wintered Madrid…1964…bought sloop and summered Burnham-on-Crouch…1965…took job as captain of ketch built in Holland and sailed her to Lisbon…met Count of Barcelona and his son (now King of Spain). Wintered in Gibraltar and Tangiers, then to Cadiz and Seville…back to Lisbon where did several ocean races with Count of Barcelona…quit job with ketch and sailed with Count for England…1966 Autumn…sailed own sloop to Bordeaux and via Canal du Midi to Toulouse…left for Denmark to convert a working trading schooner to a yacht… 1967…sailed same to Malta to effect conversion…did a delivery to Greece (minus keel)…August 1968 quit job and returned Spain…then France to pick up own sloop…lost it off Spanish coast, wandered round Andalucia, returned London courtesy of consular services…back to Malta to do honeymoon charter for couple, sailing to Tunisia via Lampedusa…1969…employed as consultant by Forte’s International Hotels on projects in Sardinia and Greece…left for Ecuador for job as consultant Tourist Investments S.A…9 months organizing marlin fishing fleet, Punta Carnero…left for Peru under threat of charge of Piracy, consultancy work on Manu River project, others in Brazil and Panama…1971… England and then Grand Canary, where scratched a living as a photographer…1973…took off for Mexico to write unsuccessful novel…1976…moved to Majorca now with partner, Dorothy and stepson Paul…1977 first poems published in Spanish…trip to Canada – hashish smugglers – didn’t…1979/82…Boroughbridge, N.Yorks… worked as petrol station attendant, filling shelves at supermarket, night-watchman and running a B&B…1982/87… ran hotel in Alston, Cumbria until bankrupt…Jan 1987…came to Huddersfield, went to workshops, became sort of poet.
Courting Katie explores tenuous notions of what it means to be Irish. This is a collection about drunken nights, about cranes, outbound flights, and confirmation parties. Situated within a range of pre- and post-Celtic Tiger contexts, it examines social and cultural crises, both local and national. These poems engage with the experience of Ireland, not simply in a grandiose manner, but through the individual, and the many disappointments that have been suffered on this island.
The Sin-eater: A Breviary, Thomas Lynch’s fifth book of poems gathers together two dozen, twenty-four line poems – a book of hours – on the life and times of Argyle, the sin-eater and includes two dozen black and white photographic images by the author’s son, Michael Lynch, and a front cover watercolour by his son, Sean. The poems and images are situated on the West Clare peninsula in Ireland where the author keeps an ancestral home in the townland of Moveen between the North Atlantic and the River Shannon estuary. The poems are prefaced by an “Introit” which examines the nature of religious experience, faith and doubt, communion and atonement.