“Is there a poet writing in Ireland who feels so profoundly and knows more surely love’s obsessions, its piercing chronicles, its succour and sorrows than Anne Fitzgerald? The poems in Vacant Possession char the page, leaving their imprint, imperishable, unique.” – Frank McGuinness
The Sin-eater: A Breviary, Thomas Lynch’s fifth book of poems gathers together two dozen, twenty-four line poems – a book of hours – on the life and times of Argyle, the sin-eater and includes two dozen black and white photographic images by the author’s son, Michael Lynch, and a front cover watercolour by his son, Sean. The poems and images are situated on the West Clare peninsula in Ireland where the author keeps an ancestral home in the townland of Moveen between the North Atlantic and the River Shannon estuary. The poems are prefaced by an “Introit” which examines the nature of religious experience, faith and doubt, communion and atonement.
Philip Fried’s Squaring the Circle is humorous and yet also mysterious in its evocation of esoteric physics and theology. The title poem presents a mystic/scientific quest for an impossible geometry as both a vaudevillian historical catastrophe and a way of understanding God. Throughout, Fried uses pastiche and the mashup of texts to explore historical moments and personal history. Behind its many forms and approaches, however, the book conveys the strong sense of a “persona”—the feeling, as Stanley Kunitz once said, that the poet has imagined a person who could write these poems.
Philosophical, exuberant, incantatory, sensual, and meditative; these poems embrace the complexities of death, loss, and love. Although observed with a detached eye their unflinching truth is simultaneously intimate and compassionate. The poems, written in both formal and free verse, explore the boundaries within the human situation. Ruth O’Callaghan was awarded a gold medal at the 30th World Congress of Poets in Taiwan, holds the prestigious Hawthornden Fellowship, and was nominated for the Pushcart Prize. She is a mentor and workshop leader both in the UK and abroad.
“At the multi-laned intersection to the M20 I listened to Alanis singing her heart out about the pain of isolation and loss and I burst into tears in an Oxford Green Jaguar X Series 3 litre car.”
Like missiles, these poems shoot out into the world seeking light and warmth from out of the darkness of illness. Peter Carr’s poetic voice mirrors the fast-paced juxtopositions of a life previously spent in an internationalist world of commerce. Wide-ranging and uncompromising, ironic, darkly comedic and sometimes bitter, and populated by the unconventional, the displaced and the lonely, the collection is nevertheless bound together by the realisation and need of the importance of human encounter, companionship and love in an illusory and earth-shifting world. – Maggie Harris
This is the book that thoughtful readers of Charles Bukowski have been waiting for. Based on extensive research, it places Bukowski’s poetry in it’s American cultural context, and explores the key poems and collections in his development. It traces magazines, literary contacts and influences from the mid-1940’s to The Last Night of the Earth Poems (1992).
Want to know about Bukowski and the movies, the Beats, Hemingway, Céline and Walt Whitman? About how and why Bukowski formed his unique style and image? And about where he fits in to West Coast and post-War American verse? Scholarly but accessible, this is the essential book to have. Also contains drawings by David Hernandez, rare photographs of C.B., and a preface by Gerald Locklin. – The Editor