Philosophical, exuberant, incantatory, sensual, and meditative; these poems embrace the complexities of death, loss, and love. Although observed with a detached eye their unflinching truth is simultaneously intimate and compassionate. The poems, written in both formal and free verse, explore the boundaries within the human situation. Ruth O’Callaghan was awarded a gold medal at the 30th World Congress of Poets in Taiwan, holds the prestigious Hawthornden Fellowship, and was nominated for the Pushcart Prize. She is a mentor and workshop leader both in the UK and abroad.
John Hartley Williams’s Canada explores a country of the mind, where whatever mania comes to mind becomes its own reality, and writing happens automatically. In Canada, poems arrive out of the ether like the fabled, lantern-jawed Mountie coming to the rescue out of nowhere. Others are on their way back into the ether, transmissions from the brain of an uneasy redman. These are poems which make you feel like the hairs on a pony’s neck. Canada opens in the backwoods of autobiography and narrative, then reports crisply on the alarums of sex and desire. After crossing the frontier, a final coda blows innocence off the map for good and all. Shortlisted for the TS Eliot Prize 1997.
“At the multi-laned intersection to the M20 I listened to Alanis singing her heart out about the pain of isolation and loss and I burst into tears in an Oxford Green Jaguar X Series 3 litre car.”
Like missiles, these poems shoot out into the world seeking light and warmth from out of the darkness of illness. Peter Carr’s poetic voice mirrors the fast-paced juxtopositions of a life previously spent in an internationalist world of commerce. Wide-ranging and uncompromising, ironic, darkly comedic and sometimes bitter, and populated by the unconventional, the displaced and the lonely, the collection is nevertheless bound together by the realisation and need of the importance of human encounter, companionship and love in an illusory and earth-shifting world. – Maggie Harris
Cornrows and Cornfields is a heartfelt journey from the childhood fields of Indiana to the glittering metropolis of Chicago. Spinning together memory, popular culture and personal politics, celeste doaks makes words dance, weep, wail and sing – often in the space of just a couple of lines. This sublime collection of delightfully bold and vivid poems burn upon the mind’s eye long after the final page is turned.
Moniza Alvi’s new book is unified by birds. Her creations ‘Motherbird’ and ‘Fatherbird’ are inspired by her parents, and by the loss of her father and by his emigration from Pakistan. Among the many bird-related poems are versions of the French poets Jules Supervielle and Saint-John Perse, and poems ‘after’ the paintings of the Spanish-Mexican surrealist artist Remedios Varo. Blackbird, Bye Bye is Moniza Alvi’s first new poetry book since her T.S. Eliot Prize-shortlisted collection At the Time of Partition, published in 2013.
Courting Katie explores tenuous notions of what it means to be Irish. This is a collection about drunken nights, about cranes, outbound flights, and confirmation parties. Situated within a range of pre- and post-Celtic Tiger contexts, it examines social and cultural crises, both local and national. These poems engage with the experience of Ireland, not simply in a grandiose manner, but through the individual, and the many disappointments that have been suffered on this island.