Weight | 0.277 kg |
---|---|
Dimensions | 198 × 128 × 23 mm |
ISBN | 9780744582864 |
Cover | Paperback |
Publication Year | 2002 |
Publisher | Walker Books |
£4.99
Beyond the Orchid House
Sisters of the Quantock Hills is the compelling saga of the lives and loves of four sisters – Frances, Julia, Gwen and Sarah Purcell – and their neighbours, the Mackenzies. Set during the early part of the last century, the series encompasses two World Wars, and the sisters’ individual stories are told against the backdrop of major historical events happening at the time.
5 in stock
Related products
The Handsworth Times
£8.99Mukesh Agarwal sits alone in the Black Eagle pub unaware that a riot is brewing or that Billy, his youngest son, is still out on his bike…. A mile away in the family home in Church Street, Anila, the youngest of the three Agarwal girls, is reading Smash Hits and listening to Radio One as she sprawls across the bottom bunk unaware of the tragic loss that is about to hit the family…. It is 1981, factories are closing, unemployment is high, the NF are marching and the neglected inner cities are ablaze as riots breakout across Thatcher’s fractured Britain. The Agarwals are facing their own personal nightmare but their pain is eased by family, friendships and a community that refuses to disappear. THE HANDSWORTH TIMES is abook about loss, friendship and working together because there is such a thing as society.
Wounding
£8.99Cora has everything a woman is supposed to want – a career, a caring husband, children, and a stylish home. Desperate for release and burdened with guilt she falls into a pattern of ever increasing violence and sexual degradation till a one night stand tips her over the edge and she finds herself in a Dominatrix’s dungeon. Wounding explores a woman’s search for redemption, identity and truth.
If You Look For Me, I am Not Here
£8.99Long Listed for The Asian Man Literature Prize when published in India as THE LAST PRETENCE. When Malika loses her longed-for daughter at birth, it is not the only loss in the family: the surviving twin -a boy – loses the love of his mother. He grows up needing to be the daughter his mother wants, the son his scientist father accepts, and more, with the guilt of being the one who survived. In a recently independent India, haunted by its colonial past and striving to find its identity, he struggles to find his own self. Sarayu Srivatsa has created a moving family portrait, richly-coloured by the vibrant culture and landscape of India, where history, religion and gender collide in a family scarred by the past and struggling with the future.
Byron and the Beauty
£8.99Byron and the Beauty is loosely based on Byron’s biography and takes place during two weeks of October 1809, during his now famous sojourn in the Balkans. Besides being a great love story, this is also a novel about East and West, about Europe and the Balkans, about travel and friendship and cruelty. Bazdulj marvellously combines facts with imagination, history and romance, resulting in an exceptionally beautiful novel. The author’s style has something of the subtle lyricism and chronicle-like tranquillity of his countryman Ivo Andric, but also a touch of the oriental baroque richness associated with Orhan Pamuk, making this a book which is both erudite and innovative, with a daring sense of humour.
Dry Season
£9.99Gabriela Babnik’s novel Dry Season breaks the mould of what we usually expect from a writer from a small, Central European nation. With a global perspective, Babnik takes on the themes of racism, the role of women in modern society and the loneliness of the human condition. Dry Season is a record of an unusual love affair. Anna is a 62-year-old designer from Slovenia and Ismael is a 27-year-old from Burkina Faso who was brought up on the street, where he was often the victim of abuse. What unites them is the loneliness of their bodies, a tragic childhood and the dry hamartan season, during which neither nature nor love is able to flourish. She soon realizes that the emptiness between them is not really caused by their skin colour and age difference, but predominantly by her belonging to the Western culture in which she has lost or abandoned all the preordained roles of daughter, wife and mother. Sex does not outstrip the loneliness and repressed secrets from the past surface into a world she sees as much crueller and, at the same time, more innocent than her own. Cleverly written as an alternating narrative of both sides in the relationship, the novel is interlaced with magic realism.